VZD Events

24Jan

Samantha Fish

Whether one leans towards the blues, opts for Americana or ignites some special fervour by playing with a garage band, there's a common bond that suggests a reverence for the roots. Looking back towards an earlier template -- no matter what the genre -- proves the point that appreciating what came before can be a stepping stone for what comes next. Samantha Fish knows that all too well, and it's been evidenced in the music she's made her entire career. While she's well known as a purveyor of blues, having been lauded by such legends as Buddy Guy, the Royal Southern Brotherhood and Luther Dickinson, her real love is simply raw, scrappy rock and roll. "I grew up on it," she insists. "Working with Luther on my last album further instilled that spirit in me. It made me realize just how much that basic, unfettered sound means to me, and how well it ties into soul music, R&B, country and so many other forms of music that are essential even today." All Ages, Non Smoking, Limited Seating

 

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26Jan

The Big News,Flip and TCE, and LFNC

Oklahoma City's The Big News keeps coming back to VZD's to blow the roof off! We love these guys. They mix influences from British two tone and third wave Ska with a heavy influence of 90's punk rock. LFNC will be opening up the evening followed by Flip and the Combined Effort from Texas. Prepare your earholes for pleasuring. Get your Ticket via ticketstorm and save some $$$. Doors @ 8pm $5 online $10 at the door  

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03Feb

Stephen Salewon with The Indigos

Stephen Salewon is a singer/songwriter. He grew up in Lagos, Nigeria and relocated to Oklahoma City with his family at the age of 13. Influences from his African roots, Red Dirt Music, likes of Jack Johnson, Mumford and Sons, and Coldplay, lay a foundation for the melodic and soulful tunes he considers Indie Folk.

Join us Saturday, February 3rd at VZD's Doors @7 Show @8 All Ages      

Tickets $5 at the door!

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09Feb

The Mighty Orq and the Scott Keeton Band

The Mighty Orq has been coming up from Houston since 2006 always evolving and always entertaining whether he is solo acoustic or full band this show will feature both. Orq will open the show with his solo acoustic performance then The Scott Keeton Band will play a set before Orq gets up to front the band and do his electric blues staples.
Biography
Since 2002 The Mighty Orq has been performing solo and with his band across the US and Europe. He has won multiple awards, released seven albums, and an instructional DVD for solo resonator slide guitar. He is a uniquely talented singer, songwriter, and multi-instrumentalist with a focus in the American Roots Music genres. Long know as a stand-out singer and guitarist, Orq has matured as a writer and arranger on his most recent release, "Love In A Hurricane." Where previously the musical emphasis was on raucous drum and guitar lines, here Orq takes a more song-centered approach letting songs dictate the instrumentation rather than the other way around. New compositions such as the title track as well as "Say It With Silence," and the Weissenborn instrumental "Cannon Ball" feature an experienced composer, instrumentalist, and singer beginning to reach his stride. Love In A Hurricane - 2016 Soulful City - 2013 Lost In Germany - 2011 To The Bone - 2008 Milk Money - 2005 Ghost Train: Live at The Big Easy - 2004 Prayer Book - 2003 Awards
Houston Press Music Award, "Best Guitarist" - 2007 Houston Press Music Award, "Best Guitarist" - 2010 Houston Press Music Award, "Best Blues" - 2012 Houston Press Music Award , "Best Blues Act" - 2015
General admission, limited seating, non smoking

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15Feb

Watermelon Slim an Evening With

"The most exciting and authentic blues performer I've heard in years." - A.W., Paste Magazine 2x Winner: 2008 Blues Music Award - Band of the Year and Album of the Year 2x Winner: 2006 & 2007 MOJO Magazine's #1 Blues Album of the Year Winner: 6th Annual Independent Music Awards - Blues Album of the Year Watermelon Slim - Ringers: An ever-expanding career of ramshackle grandeur. Bill "Watermelon Slim" Homans has built a remarkable reputation with his raw, impassioned intensity. HARP Magazine wrote "From sizzling slide guitar...to nitty-gritty harp blowing...to a gruff, resonating Okie twang, Slim delivers acutely personal workingman blues with both hands on the wheel of life, a bottle of hooch in his pocket, and the Bible on the passenger seat." Paste Magazine writes "He's one hell of a bottleneck guitarist, and he's got that cry in his voice that only the greatest singers in the genre have had before him." All Ages, General Admission, Non Smoking

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17Feb

Ruthie Foster

Ruthie Foster

In the tightknit musical community of Austin, Texas, it’s tough to get away with posturing. You either bring it, or you don’t. If you do, word gets around. And one day, you find yourself duetting with Bonnie Raitt, or standing onstage with the Allman Brothers at New York’s Beacon Theater and trading verses with Susan Tedeschi. You might even wind up getting nominated for a Best Blues Album Grammy — three times in a row. And those nominations would be in addition to your seven Blues Music Awards, three Austin Music Awards, the Grand Prix du Disque award from the Académie Charles-Cros in France, and a Living Blues Critics’ Award for Female Blues Artist of the Year. There’s only one Austinite with that résumé: Ruthie Foster. The small rural town of Gause, TX had no chance of keeping the vocal powerhouse known as Ruthie Foster to itself. The worship services at her community church and influences like Mavis Staples and Aretha Franklin created the foundation of her vocal capabilities, which developed into her own sound which is unable to be contained within a single genre. That uniqueness echoes a common theme in Ruthie’s life and career - marching to the beat of her own drum. Joining the Navy was one way for Ruthie to stake out her own path. It was during her time singing for the Navy band Pride that her love for performing became apparent. After leaving the service, Ruthie signed a development deal with Atlantic Records and moved to New York City to pursue a career as a professional musician. A deal with a major label would seem to be a dream come true for a budding artist, but the label favored Ruthie as a pop star. In another bold move, she walked away from the deal and returned to her roots, moving back to the Lone Star State. returning to Texas, Ruthie solidified her place as an up-and-coming singer/songwriter and began a musical partnership with Blue Corn Music, whom she has stood beside for all her releases over the past two decades. Now comes Ruthie’s latest - Joy Comes Back - again on Blue Corn Music. When she recorded this album, Foster wasn’t merely singing about love and loss; she was splitting a household and custody of her 5-year-old daughter. Music was her therapy. The comfort she felt within the studio gave her the strength to pour the heartache of her family’s fracture and the cautious hope of a new love into 10 incredible tracks, nine of which are by a diverse array of writers ranging from Mississippi John Hurt and Grace Pettis (daughter of renowned folk singer Pierce Pettis), to Chris Stapleton and Black Sabbath. It takes a true artist to make an outside song their own and, if you know Ruthie, you know she succeeds. The Recording Academy might want to put its engraver on notice. Every note on Joy Comes Back confirms this truth: It’s Ruthie’s time. At one point, producer Daniel Barrett described the album to local hero Warren Hood, who lays fiddle and mandolin on “Richland Woman Blues,” as “some blues, some folk, some soul, some rock, some gospel.” Hood replied, “Sounds like Ruthie Foster music.” 6pm doors 7:30 show, reserved seats include dinner. Non Smoking, limited seating, limited capacity.

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18Feb

Davy Knowles

Hot on the heels of the 2015 album release The Outsider, the full-length documentary Island Bound, and an extensive tour schedule, Isle of Man-born Davy Knowles announces his new album Three Miles From Avalon. This collection of new songs sees Davy returning to his roots, and the sounds that first ignited his passion for music. Recorded exclusively in his adopted hometown of Chicago, the capital of electric blues provided Knowles with a landscape steeped in legend, inspiring him to creatively explore the genre of music he’s always loved – energetic, guitar driven blues-rock. Knowles began the recording process for Three Miles From Avalon with a fresh approach, one that has resulted in a dynamic, gutsy sound: “I wanted to go back to the basics. The band and myself have racked up a lot of playing time together, and we have really started to gel. I wanted to capture that ‘live’ feel in the studio This led naturally to a back-to-basics approach, and a search for authenticity when it came to recording the new material: “My favourite sounding records are certainly older ones, recorded to tape, with minimal fuss or overdubs. I wanted that lovely warm, vintage sound that only tape and glowing tubes can do.” A raw, vintage sound is evident in the album’s opening two tracks, the hard-driving Ain’t Much Of Nothing, and a long-time live favourite, What You’re Made Of, a homage to one of Davy’s musical heroes: “Rory Gallagher has been a huge influence for me, his energy and drive was so mesmerising. I wanted to get back to that high energy, big guitar riff style of writing.” Falling Apart, the album’s third track, adds dark drama to the record’s driving pace with its smoky verses and heavy, snarling, blues riff. “I’ve had this song kicking around for a long time, but it wasn’t until I had found this guitar pedal called ‘The Octron’ (one of only two pedals used by Knowles on the entire album) that the song and the riff really came to life, it’s got this wonderful menacing sound.” Weaving a moment of pathos into the tracklist is Oxford MS – a fictional account of shady dealing and violence. Storytelling has always been a vital ingredient in Knowles’ work: “Songs with characters and stories have always grabbed me, and I wanted to write one in the blues and gospel vein, it’s a story of blackmail, gambling and regret, though certainly not an autobiographical one!” Yet it’s the title track, Three Miles From Avalon, which brings to the fore very personal aspects to a tale. “The song is really all about being slightly further away than where you want to be, and the frustration that comes with that. Avalon is this Arthurian legend, the Island that could never be found. It became my metaphor for things just out of my grasp.” The song also reveals the musical influences close to Davy’s heart, showcasing his love of blues and classic rock with affection The album closes on a hat tip to one of the all-time greats, Willie Dixon, with a re-working of his blues classic What In The World. Performed with a live, ‘after hours’ feel, the track showcases Knowles’ confident and distinctive guitar playing, but also a powerful solo on the Hammond B3 by Andrew Toombs – demonstrating that Knowles and his tight-knit band all possess not only stunning technical ability, but soul too. General Admission, limited seating, non smoking

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23Feb

Blue Water Highway

Blue Water Highway in Oklahoma City on Feb 23rd at VZD's!

Blue Water Highway runs just outside of Freeport up towards Galveston along the Texas Gulf Coast. This is the part of the world where the cultures of Texas and Louisiana collide in a unique melting pot steeped in the traditions of the people of both states. It is here, in the town of Lake Jackson, TX, that Zack Kibodeaux and Greg Essington became high school friends after Zack witnessed Greg playing Billy Joel's "Piano Man," and immediately enrolled in piano lessons himself. Their partnership included performing in musicals and local coffee shops, until the friends went their separate ways after high school. Greg headed to New York City to pursue a degree in music technology. Zack went to Texas State in San Marcos to study vocal performance, specifically opera. Soon, Zack was writing songs and sending them to his friend in New York. Finally, he coaxed Greg back to Texas to form the band he had been hearing in his head. Although they had landed in their adopted hometown of San Marcos, when it came time to name the band the first thing that came to mind was the landmark back home on the coast. The two dubbed the band, Blue Water Highway Band, and began to create a sound as unique as the region they came from.The band tours across the US on a regular basis and continues to define themselves as a live act built on excellent musicianship, great songs, and that signature three part harmony that sets the band apart from their peers. They recently finished a new record that will be released in early 2018 with the producer known and Machine. The new record explores new sounds and musical landscapes while remaining true to their roots along the Blue Water Highway. Non-smoking, all ages.

Root bounded music, with contemporary drive.” – Cindy Cashdollar

   

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25Feb

Donavon Frankenreiter

Donavon Frankenreiter's new album, "The Heart," officially marks the start of the singer-songwriter's second decade as a solo recording artist. It's been over ten years since the release of his self-titled debut, and in that time he has grown, not only as a musician, but also as a man. He's raising a family and nurturing two creative careers-one onstage, one in the waves-but on top of all that, he's still learning what makes him tick. And so, naturally, he named his album after his ticker.  

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15Mar

Albert Cummings

Someone Like You, the latest album from master guitarist, master builder, and fan favorite Albert Cummings, marks his return to noted roots label Blind Pig Records. The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. In his late teens he encountered the early recordings of Stevie Ray Vaughan and was floored by the virtuosity. While in college in 1987 he saw Vaughan perform and he returned to the guitar with a newoutlook and resolve. The whiz-kid carpenter began his ascent to masterful blues rock guitarist at age 27, with his first public performance on guitar. Soon he was on the Northeast blues circuit with his band, Swamp Yankee. In 1998 he walked into a Northeast Blues Society open jam, which led to Cummings’ winning the right to compete in the Blues Foundation’s 1999 International Blues Challenge. The following year Albert released his debut recording, The Long Way. Bluesprint magazine said it was “a barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimmie Hendrix.” That in turn opened up an opportunity for him to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. No less a giant of the blues than B.B. King dubbed Cummings “a great guitarist.” Cummings' soulful and explosive approach to blues and rock caught the attention of Blind Pig Records, which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the album rocks hard from start to finish. The all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, leading Guitar One to exclaim, "He attacks his axe with unbridled ferocity and deep soulfulness... his depth and expression are matched only by his terrifying technique and tone." Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience. All Ages, Non Smoking, General Admission, Limited Seatin

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